With the opening of their current production, Stephen Sondheim's "Merrily We Roll Along,” New Helvetia Theatre makes a big jump in its growth as a theater company. The barely 3-year-old company, under founder Connor Mickiewicz, has brought Sacramento audiences wonderful contemporary musical theater productions that, for one reason or another, would not otherwise be produced here. But taking on a play like "Merrily We Roll Along," by such a master as Sondheim, required a great deal of growth in almost every area for New Helvetia. I am happy to report that it has all come together and that their production is a critical success and should be a very rewarding experience for its viewers. The

New Helvetia Theatre ends its three-weekend run of Michael John Lachiusa’s off-Broadway show “Little Fish” this weekend. While Lachiusa is known for two Broadway shows, "Marie Christine" and "The Wild Party," he has written several smaller-scale off-Broadway shows. Most of these have a reputation of being very serious. “Little Fish” is one of his lighter works and was suggested from the short stories of Deborah Eisenburg.   “Little Fish” is New York City-centric. It is the setting of the play, and some of the interactions of the characters can be described as very “New York.” The play itself is part of a genre of musicals, many by Lachiusa, that are specifically written for off-Broadway w

On sporadic Sundays an audience gathers in the cosy Geary Theater in Midtown for an evening of songs performed by some of Sacramento’s best actor/singers at a cabaret event known as Graham-A-Rama, named after its’ founder and musical director Graham Sobelman. In June Graham-A-Rama did something different. They devoted a weekend to three performances of William Finn’s one act musical play “In Trousers” in concert. “In Trousers” which Finn wrote the book, lyrics and music is the first of what became trilogy of three one act plays. Finn joined with James Lapine to create two more one act plays “March of the Falsettos” and “Falsettoland.” The second two shows were combined to create a two act

New Helvetia Theatre is dedicated to performing American musical theater shows. Their selection tends to be contemporary, as the most recent productions were “Hedwig and the Angry Inch,” “tick, tick, Boom!,” “It’s Only Life” and “[title of show].” The current production, “They’re Playing Our Song,” reaches much further back, to December 1978. The book is by one of American theater’s most established playwrights, Neil Simon. The composer is Marvin Hamlisch and the lyricist is Carole Bayer Sager. The book is based very loosely on their personal relationship at the time. Both Hamlisch and Sager are also very established popular songwriters. The show was a success on Broadway and continues

Currently in its second weekend (of four), New Helvetia Theatre’s production of “They’re Playing Our Song” is another winner from the young company. Founded two years ago, NHT has received high praise for productions that have included “Hedwig and the Angry Inch,” “tick…tick…BOOM!” and “[title of show].” “They’re Playing Our Song” should appeal to fans of both musicals and plays, as a musical that probably has more distinctive dialog than production numbers. It’s not that the songs are weak, it’s just that the rest of the material comes from the pen of Neil Simon, and so it has that tone that makes it somewhat like watching a Woody Allen movie with musical interludes. The songs themselve

Lectures California Lectures.MICHELE NORRIS In conversation with Pamela Wu Wednesday, October 6, 2010 Crest Theatre | 7:30 p.m. Michele Norris hosts NPR’s All Things Considered, public radio’s longest-running national program. Before joining NPR in 2002, Norris worked as a reporter for ABC News, a position in which she garnered both an Emmy Award and a Peabody Award for her coverage of 9/11. Norris has reported extensively on issues of inner city poverty, race and education for The Washington Post, the Chicago Tribune and the Los Angeles Times. Her powerful Washington Post series on the drug trade's impact on young children was published along with essays by Nelson Mandela and Gabriel

Sleepaway Camp: The Musical Amongst Sacramento’s varied, thriving, and disparate art scenes are large and passionate audiences for both live theater and the trashiest of trash films. Finally, those two audiences can co-exist, and pairs of significant others with significantly different tastes can find a mutually satisfactory outlet in Sleepaway Camp: The Musical. Officially entry #62 (or rather LXII) in the hit midtown cabaret series Graham-A-Rama, this is a new and original musical adaptation for the stage of the campy and bloody 1983 film that spawned five sequels, Sleepaway Camp. I had the opportunity to sit in on one of the final rehearsals (OMG: ROTFLMAO!) and to bounce a few impro

Jonathan Larson died the night before his masterpiece, the rock musical "Rent," opened. He didn't live to experience the 1996 show, for which he'd written the music and lyrics, in front of an audience, and he had little inkling that it would go on to enjoy one of Broadway's longest runs, become a film, and win multiple Tony awards and the Pulitzer Prize. That's information that many playgoers will bring to New Helvetia Theatre's run of Larson's "tick, tick...BOOM!," which opened Saturday at the Artisan Theatre on Del Paso Boulevard in North Sacramento. And if one has seen "Rent," it is impossible to experience this 90-minute one-act musical without seeing it in light of Larson's masterwor

Rehearsal photos by Paul Le and Tony Sheppard – taken at the Artisan, 1901 Del Paso Blvd.   “Tick, Tick…BOOM” Book, Music, and Lyrics: Jonathan Larson Script Consultant: David Auburn Directed by Connor Mickiewicz and Erin island New Helvetia Theatre officially opens its second full production on Saturday, with previews starting Wednesday, of “Tick, Tick…BOOM.” The show is by Jonathan Larson, who won three posthumous Tony awards and a Pulitzer for “RENT.” I had the opportunity to sit in on a recent rehearsal and it literally had me both laughing and crying uncontrollably (not at the same time). The timing was also interesting after the recent movie release of Jane Campion’s beautiful “

Hedwig and the Angry Inch New Helvetia Theatre By Tony Sheppard Capitol Weekly This column normally focuses on film, but occasionally something else comes along that warrants attention. “Hedwig and the Angry Inch,” the first full production of the New Helvetia Theatre, is one of those. Familiar to many from the film adaptation or prior stage productions, “Hedwig” tells the story of a transgendered East German who undergoes a botched sex change operation in a bid to emigrate to America. That brief description alone makes it clear that it’s not material that would appeal to all audiences, and it’s certainly not a show for most kids. But this is a phenomenal production of a heartfelt and in