William Selby remembers well when he first heard about a little cabaret show that was generating buzz among New York theater fans. “I was a full-time actor at the time, and I had a roommate who was a waiter at this place – Palsson’s (Supper Club) on West 72nd Street,” Selby said. “He came home one night raving about something called ‘Forbidden Broadway’ and did a number for me. “I fell off the bed laughing – I knew I loved it right then and there.” Selby wasn’t the only one who embraced Gerard Alessandrini’s concept of a satiric revue that both celebrated and skewered musical theater. Since its opening 30 years ago this month, “Forbidden Broadway” played almost continuously in New Yor

It was a solemn scene with chains and bars accompanied only by candlelight. A spotlight and a single pirouette performed flawlessly by one of the male troupe members accompanied by a Spanish song set the mood of the Music Circus sensation The Man of La Mancha. The setting was that of a prison where Miguel de Cervantes, also known as Don Quixote, played by Walter Charles, told his story of love and never giving up on your dreams as a defense in a mock trial held by the prisoners, to save his beloved manuscript from destruction. The first act was full of witty puns and adult humor describing Quixote, a wise man who is a little mad, accompanied by his loyal servant Sancho, played by Kevin