Opening its 61st season with a highly popular contemporary musical with good casting has paid off for California Musical Theatre’s Music Circus. “The Producers,” which opened Tuesday night, involves a failed Broadway producer whose most recent show closed on opening night. A passing remark by the low level accountant sent in to audit the books puts the plot in motion. If the producer would have a guaranteed flop, they could bank the investment, close the show and keep the money. They set out to find the worst play, a lousy director and terrible actors. Many complications and much humor ensue, along with lots of great songs and dancing. “The Producers: the new Mel Brooks Musical,” while b

 America is in the depths of the Great Depression. Audiences flock to movies where they can forget their troubles enjoying a couple of hours of singing and dancing paying a mere dime for a ticket. The musical “42nd Street” is based on the 1933 movie of the same name. The basic plot is that Broadway producer Julian Marsh is producing a big new Broadway show called “Pretty Lady.” He is worried that his big star, Dorothy Brock, doesn’t have it anymore, but he has to cast her since her sugar daddy is putting up the money. Competition for the chorus is very tight, especially since it’s the Great Depression and jobs are scarce. Newly arrived from Allentown, PA, (pronounced P. A.) Peggy Sawye

“Funny Girl” is a star maker. It made a star out of Barbara Streisand first on Broadway, then in film. Vicki Lewis most certainly shines as Fanny Brice the title “Funny Girl” in this the latest Music Circus production of the show. Everything in the play centers on the character of Fanny Brice. Brice herself was one of the biggest stars of her time. From 1910 through the 1930s on stage, screen and radio, Brice was wildly popular and influential. Legendary Broadway producer David Merrick worked with lyricist Jule Styne and equally well-known composer Bob Merrill to turn what had started as a screenplay into a Broadway musical. Having seen Streisand in her first role on Broadway in “I Can

Take an iconic piece of american musical theater by arguably the best musical theater writing team of all times and add Music Circus talent and production values and you have a splendid evening of entertainment. "Oklahoma" was the first collaboration between composer Richard Rodgers and lyricist and librettist Oscar Hammerstein II. Rodgers had previously worked with Lorenz Hart creating "Pal Joey." Hammerstein had been teamed with Jerome Kern, with "Show Boat" as their best-known production. The new collaboration worked well for both. Hammerstein preferred to write lyrics before they were set to music. Rodgers preferred to have completed lyrics before creating the music. There previous co