The Imaginarium of Dr. Parnassus Directed by Terry Gilliam By Tony Sheppard Capitol Weekly This is a movie that will be seen for two reasons: The movie itself and morbid curiosity associated with the death of its star, Heath Ledger. Ledger had completed “The Dark Knight” and was shooting this when he died of an accidental drug overdose, leaving Director Terry Gilliam with half a movie, no lead actor, and an uncertain future for the project. Gilliam is still best known by some of us as the wacky animator for the original Monty Python shows. But he’s also an accomplished director of not just Python movies, but also “Brazil,” “Fear and Loathing in Las Vegas,” and “Twelve Monkeys,” amongst

A Single Man Directed by Tom Ford By Tony Sheppard Capitol Weekly Colin Firth plays George Falconer, a professor in 1962 Los Angeles who loses his long time partner in a distant car wreck and struggles through the lonely aftermath, trying to get through each day without him. There’s nothing unique about losing a loved one but Falconer, as a gay man in that period, has only one person he can share his feelings with, his best friend Charley (Julianne Moore) with whom he also shares a complicated past. At work and in his daily life, he maintains a stoicism that hides the lost romance that was always hidden. “A Single Man” is based on the novel by Christopher Isherwood – the Chris of “Chris

District 9 Directed by Neill Blomkamp By Tony Sheppard Capitol Weekly Sitting at the Number 1 spot in this week’s box office rankings and modestly masquerading as a relatively low-budget creature feature, “District 9” is brought to you in a hands-off way by producer Peter Jackson (the “Lord of the Rings” trilogy). I say masquerading, as it’s really quite an insightful commentary on politics and international power-brokering, both past and current. The story has aliens arriving over Johannesburg, complete with their clearly superior technology and weaponry but also with a broken spaceship and apparently no intergalactic towing service. This results in two outcomes – a giant refugee camp

(500) Days of Summer Directed by Marc Webb By Tony Sheppard Capitol Weekly The Summer of the title is a girl and not the season and the movie tells the story of Tom (Joseph Gordon-Levitt) and 500 days during his relationship with her (Zooey Deschanel). This could be a fairly mundane story, with few significant surprises, except for the way in which it’s told. And that telling will appeal to some audience members and drive others completely crazy as to some extent the movie becomes more about the form than simply about the tale, a phenomenon that often leaves me on the crazy side of the fence but which this time around I found really appealing. As the story unfolds, the audience is pres

Public Enemies Directed by Michael Mann By Tony Sheppard Capitol Weekly “Public Enemies” tells the story of bank robber John Dillinger (Johnny Depp), who became both the nemesis and the inspiration for J. Edgar Hoover as he was expanding the FBI. It’s a film that I would expect to enjoy, despite not being a big Depp fan, as it has numerous other cast members and the fact that I usually like cops-and-gangsters themes. But there are aspects of the project that took me out of the moment and left the whole experience feeling flat. I’ve enjoyed the work of Christian Bale (Special Agent Melvin Purvis) and Stephen Dorff since they were both child actors, albeit with some misses, and I especial

The Taking of Pelham 1 2 3 Directed by Tony Scott By Tony Sheppard Capitol Weekly In the early-mid 70’s, my father subscribed to the Reader’s Digest Condensed Book series. This was my introduction to “The Taking of Pelham One Two Three,” “Jaws” and assorted other titles. I remember liking the story and, later, I enjoyed the 1974 film adaptation starring Walther Matthau and Robert Shaw. I don’t recall watching the 1998 TV remake, which, based on web comments, may have been a good thing, but it’s fair to say that this 2009 adaptation had to fill some pretty big shoes from my adolescence. It’s a different film for a different time – there’s more blatant violence than I remember. John Trav

Night at the Museum: Battle of the Smithsonian Directed by Shawn Levy By Tony Sheppard Capitol Weekly I was pleasantly surprised by “NatM:BotS” and it may be one of those rare sequels that manages to surpass the original, albeit by taking a slightly different tack. Ben Stiller returns as Larry Daley, erstwhile museum night guard and now successful inventor and infomercial pitch man (supported in his commercial enterprises by another pitch man, George Forman). His old work place, New York’s Museum of Natural History, is undergoing renovations and updates, and the exhibits are scheduled to be archived in Washington. This of course is problematic, given the presence of an ancient Egyptian

Terminator Salvation Directed by McG By Tony Sheppard Capitol Weekly If the recent “Star Trek” was a total system reboot of an aging franchise, then “Terminator Salvation” is more like a welcome software upgrade, complete with flashier graphics and increased memory. Set in 2018, it follows John Connor (Christian Bale) as he exhibits inspiring leadership in the battle against Skynet and the machines. If all of this seems a bit familiar, with outposts of humans battling overwhelming odds against hard to kill opponents led by a crusty Bale, it may not be the previous “Terminator” movies that you’re thinking of. At times it’s a little reminiscent of “Reign of Fire” only with bullet-spewing

Angels and Demons Directed by Ron Howard By Tony Sheppard Capitol Weekly “Angels and Demons” is the second movie made from a Dan Brown book featuring the character of Robert Langdon (Tom Hanks). The other is “The Da Vinci Code” and while the “Angels and Demons” novel appeared first, the films are being presented to audiences in the reverse order, with the implication in the film that the stories are sequentially switched. This works in the sense that the events of the two novels are independent of each other and the sequence is unimportant, so there’s no real point in selling the second film as a prequel just to preserve the original publication order. But it also presents some problems

Star Trek Directed by J.J. Abrams By Tony Sheppard Capitol Weekly I’ll open by cutting to the chase and saying that this is a neat movie, firing on all dilithium chambers and achieving everything I had hoped it would achieve, despite a host of hurdles to overcome.  So what about those hurdles…  Star Trek has a back story that’s intimidating to say the least. One has to decide whether to stick to the original canon or branch off in a new direction and enrage a generation of fans. Or, in the case of Trekkies, a generation and a next generation of fans. It’s now 40 years since the first TV series ended, and there have been six series, including an animated version, and 10 movies. Some of

Battle for Terra Directed by Aristomenis Tsirbas By Tony Sheppard Capitol Weekly “Battle for Terra” is the latest politically-charged kids’ movie. It’s also the latest to come to the screen—where available—in ‘Real D’ 3D. Thankfully, it didn’t seem quite so overt in its pandering to the 3D technique and, as such, I think I enjoyed the effect more than when I feel like I’m being played by having things cinematically thrown at me. Alternatively titled as just “Terra” the story expands on an idea that director Aristomenis Tsirbas explored in a seven minute animated short of the same name in 2003. We’re first introduced to an alien world of seemingly near-idyllic bliss, with a capable but s

X-Men Origins: Wolverine Directed by Gavin Hood By Tony Sheppard Capitol Weekly At the end of this movie, one of my reviewer colleagues remarked about superhero back stories and their generally downbeat nature. He was right: After all, one doesn’t get a grudge, a revenge motive, or a haunted, dark personality from a childhood full of happy picnics in the park and adorable puppies. You start to feel bad for anybody who encounters these characters early on. It’s like watching TV’s “Seventh Heaven” and sympathizing with anybody who had the misfortune of encountering the Camden children – only more violent. However, in all of its dark moodiness, “X-Men Origins: Wolverine” is a fairly fun ri

Crossing Over Written and directed by Wayne Kramer By Tony Sheppard Capitol Weekly Thirteen years after making a short film of the same name, writer/director Wayne Kramer (“The Cooler,” “Running Scared”) has revisited the topic for a feature that feels like three or four shorts spliced together. Unfortunately the outcome makes me wish they could be separated again and shown one after the other, with their respective overlaps encountered sequentially. “Crossing Over” is the latest film to tell a story that weaves multiple lives, with a common theme that connects them. It’s successful on some levels, but it also suffers the fate of other similarly-structured films in that some of those co

Sunshine Cleaning Directed by Christine Jeffs by Tony Sheppard Capitol Weekly “Sunshine Cleaning” is another intriguing opening this week. When it opened in very limited release a couple of weeks ago, it generated the highest per-screen averages of any movie so far this year. And it’s easy to appreciate why when you see one of the most perfectly assembled film casts. Rose (Amy Adams) is a single mother struggling to raise her son on her house-cleaning income. Her adulterous detective lover and ex-high school sweetheart Mac (Steve Zahn) happens to mention how lucrative the messy crime scene and death cleanup business seems, and a new startup is born. Rose enlists her less ambitious siste

Monsters vs. Aliens Directed by Rob Letterman and Conrad Vernon by Tony Sheppard Capitol Weekly This is an interesting release for Sacramento, for a couple of reasons. For starters, it’s set in California, with the initial action taking place in the Central Valley and the climax in San Francisco. But it’s also a bit of a departure from the established norm in this market, in that it’s being released in 3D on the giant IMAX screen on the same day as it hits the multiplexes – so you can pick your format without having to wait. Susan (voiced by Reese Witherspoon) lives in Modesto, where she’s about to marry the local TV weatherman Derek (Paul Rudd). Derek is waiting to expand his horizons

The Class ("Entre les murs") Director: Laurent Cantent By Tony Sheppard Capitol Weekly   Set in Paris, "The Class" follows a year in the life of teacher Francois Marin as he tackles assorted challenges with students in his inner city high school. "Entre les murs" which is also the title of the adapted book, translates as "between the walls" and this may have been a better English title for the film also, as it conveys a better sense of the film being about a place and a dynamic as much as people that inhabit it. Much of the film takes place in one classroom. The director has described his approach to the film's style in part like that of a tennis match, with the majority of the perspect

The Great Buck Howard Director: Sean McGinley By Tony Sheppard Capitol Weekly Based on the Amazing Kreskin, known for his appearances on the Tonight Show with Johnny Carson, “The Great Buck Howard” tells the story of a mentalist (not a magician!) with a similar Carson track record (“Johnny Carson, not that nitwit who’s on there now!”).  Buck has long since faded from the A-list of talk show talent and now tours the country, performing his never-changing act in never-filled venues. Soon to be put-upon road manager Troy drops out of law school, which was more his father’s dream than his own, and stumbles into working with Buck Howard as a day job in support of his desire to be a writer.

For a word-of-mouth pre-screening of “I Love You Man,” the studio challenged any guys in the audience to coordinate their clothing and make it a man date to remember, in return for preferential seating. The only two at the Downtown Century tonight who were up for it were Sac State students Ryan Johnson (left) and Alan Badarou (right). (With apologies for the poor quality photograph, courtesy of my cell phone!) The film itself is a true bromantic comedy, taking all the cues of the typical rom-com and translating them into a platonic, man-man bromance. The outcome is remarkably funny and endearing, largely as a result of the performances of leading men Paul Rudd and Jason Segal. Rudd in

Race to Witch Mountain Directed by Andy Fickman   “Race to Witch Mountain” is an interesting and ultimately successful retread of a franchise that goes back over 30 years to 1975’s “Escape to Witch Mountain” (and assorted theatrical and TV sequels and remakes). It’s very much a movie for kids, tweens, and the less cynical or gore-hungry teens, but it has themes and details that are designed to be appreciated by the adults in the audience, albeit probably the more left-leaning adults. While many family movies pander to adults with mild (or worse) sexual innuendos or raunchy sight gags, “Race to Witch Mountain” is refreshingly free of any content that requires awkward explanations in th