photographs by Barry Wisdom | He may not have followed film director-turned-National Geographic explorer James Cameron to the bottom of the Atlantic in pursuit of White Star china fragments or a really big blue diamond necklace, but Davis Musical Theatre Company co-founder and co-producer Steve Isaacson is no less obsessive about the ill-fated passenger liner Titanic than the Oscar winner. Since first mounting Peter Stone and Maury Yeston’s “Titanic: The Musical” six years ago, Isaacson has been making his own plans to “go back to Titanic” in a centennial commemoration of the ship’s April 15, 1912, sinking. But when DMTC’s revival of the Tony-winning show opens April 13 for a four-week

The latest offering from the Davis Musical Theatre Company is an enthusiastic production of the blockbuster musical “Chicago.” At Friday’s opening night performance, DMTC handled the show with sufficient grit and guts to bring the tale of crime, celebrity and sensationalism in the Jazz Age alive with fun and razzmatazz. Chicago in the 1920s was a wide-open town where corruption and crime, scandal and bootleg gin filled the headlines. Women were crashing out of their sheltered roles as demure wives and mothers to smoke and drink and wear short skirts, to rouge their lips and bob their hair and demand their freedom to behave as boldly as their men. For two women this freedom extended to mu