With the opening of their current production, Stephen Sondheim's "Merrily We Roll Along,” New Helvetia Theatre makes a big jump in its growth as a theater company. The barely 3-year-old company, under founder Connor Mickiewicz, has brought Sacramento audiences wonderful contemporary musical theater productions that, for one reason or another, would not otherwise be produced here. But taking on a play like "Merrily We Roll Along," by such a master as Sondheim, required a great deal of growth in almost every area for New Helvetia. I am happy to report that it has all come together and that their production is a critical success and should be a very rewarding experience for its viewers. The

New Helvetia Theatre ends its three-weekend run of Michael John Lachiusa’s off-Broadway show “Little Fish” this weekend. While Lachiusa is known for two Broadway shows, "Marie Christine" and "The Wild Party," he has written several smaller-scale off-Broadway shows. Most of these have a reputation of being very serious. “Little Fish” is one of his lighter works and was suggested from the short stories of Deborah Eisenburg.   “Little Fish” is New York City-centric. It is the setting of the play, and some of the interactions of the characters can be described as very “New York.” The play itself is part of a genre of musicals, many by Lachiusa, that are specifically written for off-Broadway w

New Helvetia Theatre is dedicated to performing American musical theater shows. Their selection tends to be contemporary, as the most recent productions were “Hedwig and the Angry Inch,” “tick, tick, Boom!,” “It’s Only Life” and “[title of show].” The current production, “They’re Playing Our Song,” reaches much further back, to December 1978. The book is by one of American theater’s most established playwrights, Neil Simon. The composer is Marvin Hamlisch and the lyricist is Carole Bayer Sager. The book is based very loosely on their personal relationship at the time. Both Hamlisch and Sager are also very established popular songwriters. The show was a success on Broadway and continues

Currently in its second weekend (of four), New Helvetia Theatre’s production of “They’re Playing Our Song” is another winner from the young company. Founded two years ago, NHT has received high praise for productions that have included “Hedwig and the Angry Inch,” “tick…tick…BOOM!” and “[title of show].” “They’re Playing Our Song” should appeal to fans of both musicals and plays, as a musical that probably has more distinctive dialog than production numbers. It’s not that the songs are weak, it’s just that the rest of the material comes from the pen of Neil Simon, and so it has that tone that makes it somewhat like watching a Woody Allen movie with musical interludes. The songs themselve

Image 1: Composer John Bucchino works with actor Nanci Zoppi and Musical Director Graham Sobelman at the It's Only Life masterclass Image 2: John Bucchino explains his process of writing and composing during the It's Only Life masterclass Image 3: New Helvetia Founder and Artistic Director Connor Mickiewicz sings "Playbill", accompanied by composer John Bucchino at the It's Only Life masterclass   It's Only Life After an amazing first year, which included the critically praised productions of Hedwig and the Angry Inch and also Tick, Tick...BOOM (so good they had to bring it back), New Helvetia Theater hosts a unique musical event tonight at the Crest Theatre.  Tonight's one-night p

Rehearsal photos by Paul Le and Tony Sheppard – taken at the Artisan, 1901 Del Paso Blvd.   “Tick, Tick…BOOM” Book, Music, and Lyrics: Jonathan Larson Script Consultant: David Auburn Directed by Connor Mickiewicz and Erin island New Helvetia Theatre officially opens its second full production on Saturday, with previews starting Wednesday, of “Tick, Tick…BOOM.” The show is by Jonathan Larson, who won three posthumous Tony awards and a Pulitzer for “RENT.” I had the opportunity to sit in on a recent rehearsal and it literally had me both laughing and crying uncontrollably (not at the same time). The timing was also interesting after the recent movie release of Jane Campion’s beautiful “

Hedwig and the Angry Inch New Helvetia Theatre By Tony Sheppard Capitol Weekly This column normally focuses on film, but occasionally something else comes along that warrants attention. “Hedwig and the Angry Inch,” the first full production of the New Helvetia Theatre, is one of those. Familiar to many from the film adaptation or prior stage productions, “Hedwig” tells the story of a transgendered East German who undergoes a botched sex change operation in a bid to emigrate to America. That brief description alone makes it clear that it’s not material that would appeal to all audiences, and it’s certainly not a show for most kids. But this is a phenomenal production of a heartfelt and in

Courtney Glass and Connor Mickiewicz perform in Graham-A-Rama III: "Not the Marrying KInd" on Sunday, February 15th, 2009 at the Geery Theater - video and screen capture by Mike Yee   With little fanfare or exposure, one of the best and least known shows in town opened a few weeks ago, on Sundays at the Geery Theater on the corner of 22nd and L Streets. Featuring local stage actors and singers, the Graham-A-Rama cabaret series is a perfect fit for the Geery’s intimate space, giving the feeling of having been invited to a private party of some kind – like the ultimate insider experience, even for outsiders! I asked the man behind Graham-A-Rama (and behind the piano) Graham Sobelman, a f