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The Crystal Method lights up Harlow's with electric show

by Jonathan Mendick, published on June 17, 2009 at 7:39 PM

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Twisting hundreds of knobs, playing several keyboards, and filtering sound through two Apple laptops, The Crystal Method worked at a frenzied pace entertaining the hyped crowd inside Harlow's on Tuesday night.

The diverse crowd donned sunglasses, earplugs, glowing necklaces and even light emitting shirts as The Crystal Method wowed them, distorting breakbeats to perfection and putting on a dazzling performance.

DJ LA RIOTS opened the show at 8 p.m. to a nearly empty dance floor. As the clock neared 10, the crowd had grown substantially in anticipation for The Crystal Method.

Nearly 150 people on the floor and 50 more in the seats cheered as The Crystal Method crept through ambient fog onto the small stage, making quite an entrance.

On the day of the show, rumors that the venue had changed from Empire Event Center to a smaller Harlow's were confirmed by The Crystal Method's Twitter and promoter, Brian McKenna. Switching venues turned out to be a plus.

"This many people at Empire looks like a disaster, but [at Harlow's] it looks pretty good," McKenna said.

As the band began its set, at least six people took out DSLRs. A unique light show offered opportunities galore for photographers to capture the band in an array of red, blue and yellow light.

The Crystal Method, a duo consisting of Ken Jordan and Scott Kirkland, surrounded themselves with electronic music gear. They played a 90-minute set of their hit songs, each song flowing seamlessly into the next.

Each little piece of equipment, knob and keystroke helped to perfectly recreate the band's signature sound.

Several additional sound technicians added to the band's audio presence, including one who manned a soundboard with 50 faders the whole night. Another played the Australian didgeridoo, a tubelike instrument (see photo above).

Kirkland occasionally used a talk-box, a device which made his voice sound robotic. During one song, the two entered a call-and-response dialogue with their keyboards and knobs.

As the bass thumped, many in the audience waved their hands in the air and twirled their wrists in circles. Illuminated by white, purple and pink lights, the audience lit up but never let up.

"Thanks so much Sactown," Kirkland screamed near the end of the show. "It's good to be back."

"Shout-out to my parents!" added Jordan, who pointed at his parents in the audience.

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June 17, 2009 | 9:48 PM
I like your detailed descriptions of all the sound equipment used. And a didgeridoo?? To incorporate something so tribal with something so futuristic is amazing! What a colorful show, I wish I was there!
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June 18, 2009 | 1:56 PM
Great photos!
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