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Smithsonian Traveling Exhibit Looks at Influence of Latinos in American Popular Music

by Don Burns, published on May 16, 2011 at 3:15 PM

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This summer, the Sacramento Public Library will host American Sabor: Latinos in U.S. Popular Music, a traveling exhibition from the Smithsonian, which presents the musical contributions of U.S. Latinos from the 1940s to the present. Latino musicians have had a profound influence on traditional genres of music in the United States, including jazz, rhythm and blues, rock ’n’ roll and hip-hop. American Sabor explores the social history and individual creativity that produced stars such as Tito Puente, Ritchie Valens, Celia Cruz, Carlos Santana and Selena.


“When the opportunity arose for Sacramento Public Library to host American Sabor: Latinos in U.S. Popular Music, we knew we had to bring this exhibition to our community. Living in Sacramento, we are constantly reminded of the rich Hispanic heritage that has shaped this region, and we are delighted to honor this legacy as we host this exciting exhibition,” said Sacramento Public Library Director Rivkah K. Sass. “Hosting the exhibit during the summer has created some beautiful synergy with our Summer Reading program for 2011, since its theme is “One World, Many Stories.” The American Sabor story is one of the great stories we want to tell,” Sass added.


The exhibition will open to the public on Thursday, May 26, and will be free to view during open hours at the Central Library, 828 I Street, Sacramento (Tuesdays, Wednesdays, Thursdays, 10 a.m. to 8 p.m.; Fridays, 10 a.m. to 6 p.m.; Saturdays, 10 a.m. to 5 p.m.; and Sundays, 12 noon to 5 p.m.) through the exhibition’s closing on August 7.


Developed by the Experience Music Project and the Smithsonian Institution Traveling Exhibition Service (SITES), American Sabor will travel to 12 cities through 2015. The exhibition, its national tour and related programs are made possible by Ford Motor Company Fund.
“The impact of Latino musicians on American popular music moves beyond the unmistakable rhythms and dance,” said Anna R. Cohn, director of SITES. “American Sabor tells the broader story of Latino communities and how their artistry expresses their experiences as Americans.”


The exhibition focuses on five major centers of Latino popular music production—New York City, Los Angeles, Miami, San Antonio and San Francisco—that represent the remarkable diversity of this music. Each city section explores the broader histories and cultures that created the music from those areas, including how the musical innovations of Latino youths crossed ethnic and racial boundaries and helped shape American popular music, how immigration and migration influenced Latino and U.S. popular music and the ways in which Latinos have musically expressed their experiences as Americans.


“Ford Motor Company Fund is proud to support American Sabor as part of our long-standing commitment to Hispanic arts and culture,” said Jim Vella, president, Ford Motor Company Fund and Community Services. “Visitors to the exhibition will experience the many contributions that Hispanic musicians have made to American music and the richness of Latino sounds.”


With dynamic bilingual (English and Spanish) text panels, striking graphics and photographs, and compelling listening stations and films, the exhibition celebrates the true flavor, or “sabor,” of Latin music in the United States.


The exhibition is complemented by an interactive website—www.americansabor.org—that includes expanded exhibition content, historic photographs, lesson plans, video oral histories from Latin music stars, a jukebox featuring a special “American Sabor” playlist and a mixing-board interactive activity.


For more information, telephone the Sacramento Public Library at (916) 264-2920.

 

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Smithsonian Institution Traveling Exhibition Service (SITES)
SITES has been sharing the wealth of Smithsonian collections and research programs with millions of people outside Washington, D.C., for almost 60 years. SITES connects Americans to their shared cultural heritage through a wide range of exhibitions about art, science and history, which are shown wherever people live, work and play. Exhibition descriptions and tour schedules are available at www.sites.si.edu.


Experience Music Project
EMP is dedicated to the exploration of creativity and innovation in popular music. By blending interpretive, interactive exhibitions with cutting-edge technology, EMP captures and reflects the essence of rock ’n’ roll, its roots in jazz, soul, gospel, country and the blues, as well as rock’s influence on hip-hop, punk and other recent genres. Visitors can view rare artifacts and memorabilia and experience the creative process by listening to musicians tell their stories.


Ford Motor Company Fund and Community Services
Ford Motor Company Fund and Community Services works with community partners to advance driving safety, education and American heritage and community life. The Ford Motor Company Fund has operated for more than 60 years with ongoing funding from Ford Motor Company. For more information, visit www.community.ford.com.

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Don Burns is the Public Information Coordinator for the Sacramento Public Library
 

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May 16, 2011 | 4:43 PM
My own suggestion: Domingo Samudio, or Sam the Sham. Despite the robes and headdress, Sam the Sham and the Pharaohs were Tex-Mex rockers whose biggest hit was 1965’s “Wooly Bully.” Originally a dance song about the Hully Gully, record company lawyers convinced Sam – Domingo Samudio – to change the lyrics. Samudio chose his cat’s name: Wooly Bully.

I posted on my Rockaeology blog at http://bit.ly/eTCmDQ the origin of that famous countdown, “Uno, Dos, One, Two, Tres, Quatro” and the meaning of lyrics like “Let’s not be L-7.”
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May 16, 2011 | 6:09 PM
More latino propaganda
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May 17, 2011 | 12:45 PM
I fail to see how recognizing Latino musical contributions to U.S. music from the 1940s to the present is "Latino progaganda". Tito Puente, Ritchie Valens, Celia Cruz, and Selena popularized Spanish lyrics and Latino sounds in U.S. music. Fact is not propaganda, it is recognizing that the U.S. is a melting pot, and some of the favoring is Latino/Hispanic.



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