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A Short Interview with Filmmaker Sue Wilson

by Amy Lawrence, published on March 20, 2009 at 3:18 PM

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Photo credit: www.freepress.net/node/40272

 

Q: How long have you been making film?

 Sue: This is my first film. I thought it would take six months. It’s taken four years. I’ve produced television for many years professionally. I produced radio for many years professionally. This is a far bigger deal than I ever dreamed it would be.

 Q: Could you please explain what Broadcast Blues is about?

 Sue: Broadcast Blues really is about what the public interest obligations are to ‘we the people’. Broadcasters make a lot of money by broadcasting on the air waves. And in return for the license to make all that money, they’re all supposed to be taking care of the public interest. Now, what exactly is the public interest? Well, President Obama wants to define that. Broadcast Blues is going to be a big help because we go through all the problems that are in the media and we look at why they’ve developed. And they’ve developed because these crazy lawmakers in Washington D.C. have passed rules that favor the corporations but are not taking care of the people.

 Q: How do you believe Broadcast Blues relates to public access stations such as Access Sacramento?

 People have asked me why I didn’t choose to put public access into the film and the short answer is there are so many topics already in the film and were talking about the media and you could actually do a miniseries. You really could. But also I found that I had to talk about the issues that I knew best and was most passionate about. Now having said that, Access television is in terrible trouble in this country and it’s very important that it stays alive. We live in era where to be able to write is no longer enough. The means of communication have changed. We do video communication and audio communication. And despite the low cost of cameras today, the skills of putting together something that’s really watch-able and intelligible and makes sense to people, that takes a little bit of training. That’s really the heart of where Access Sacramento and other local access stations are at. Access proves to be a training ground for people.

 Anyone who wishes to see the premiere of Sue Wilson’s Broadcast Blues can visit the Crest Theatre (1031 K Street, Downtown Sacramento) this Sunday, March 22nd at 2pm. More information about Broadcast Blues is also available at broadcastblues.tv

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March 25, 2009 | 12:24 AM
As a policy wonk, I really enjoyed this documentary for its emphasis on restoring local control to radio stations, so as to tailor to the standards, sensibilities and most importantly, the needs of individual communities. As a moderate Libertarian, I appreciate the power of local control over community affairs as reinforced by the constitution’s federal layout of the government; I rely on the assumption that when Californians are allowed to lobby Sacramento for policy rather than Washington, DC, policies remain more responsive to Californians’ needs (unfiltered by the astounding 30,000+ interest groups up on Capitol Hill). Similarly, a given community’s media should remain under local control in order to ensure a sense of responsiveness and local responsibility. The revelations of the FCC’s unwillingness to exert its sole regulatory function over broadcasters- its capacity to deny licenses to radio stations- shocked me, as the film exposes how Clear Channel retained its North Dakota license despite its failure in 2002 to report emergency warnings for Minot, North Dakota after a hazardous midnight ammonia spill, which may have contributed to the death of a North Dakotan. Overall I felt well-educated by watching this film.
Yet as is the tendency with documentaries, the presentation of issues was fairly one-sided. One central point I differed on was the gratuitously positive portrayal of The Fairness Doctrine. Sue Wilson argues that, just as polls show that Americans most trust PBS for its balanced portrayal of both sides of political issues, all media should be forced by the media to devote equal coverage to both sides of issues, especially in radio, a media overtly dominated by the Conservative perspective. To me, she argues for the reinstatement of The Fairness Doctrine under a façade of responsible journalism, while hiding the larger incentive that, by mandating equal coverage from radio stations, Clear Channel and other corporations with mainly Conservative broadcasts will see plummeting ratings, in a move that she hopes will kill Conservative Talk Radio rather than make radio fair. Surely America would be a nicer place to live if Limbaugh devotees and the like actually wanted to tune into the other side during the daily commute; if people didn’t actively engage in cognitive dissonance, political discourse could be a lot more civil. As the Simon and Garfunkel song The Boxer lamented, “All eyes ingest. Still, a man hears what he wants to hear and disregards the rest.” But we shouldn’t try to patch up this unfortunate reality by mandating fair coverage, because at least to me, if a large number of consumers demand a certain type of programming, the government should not step in on the grounds of content to contradict a market force, unless the will of the majority of consumers involves some offense like indecency, which the Supreme Court has ruled that the government can partially regulate. The distinction between the government regulating the offensiveness of bad language and the government regulating the possibly offensive right-wing slant of Talk Radio is that the Supreme Court has ruled that government can limit swears and the like in accord with community standards, whereas with equal time for differing viewpoints, the Supreme Court had argued against forced equal coverage in the 1974 case Miami Herald Publishing Company v. Tornillo (it ruled against forced equal newspaper space for political candidates on the basis of Freedom of the Press). I agree with the court’s ruling, because while equal coverage of competing sides is preferable, to mandate it would overstep the gov’t’s role in the press’ content. I think the left will have to just accept that the radio will remain the outlet of Conservative angst, serving as a bastion of fairly uniform thought out of Conservatives’ long history and comfort with it.
Overall I really enjoyed the movie :)
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