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Yes, that really did happen here.
The complaints and rumblings about music in Sacramento have been mounting for years: a perceived disconnect between the local music scene and the community, the glaring lack of consistent all-ages music venues in the downtown area and a debilitating middle child syndrome caused by big name touring acts that often pass the Capitol City over for gigs in the Bay Area.
In the face of the retrospective on local music provided by Downtown Sacramento Partnership’s newest walking tour, it becomes hard to find anything to complain about.
Entitled “Locally Grown, Internationally Known: The history of the Sacramento Music Scene,” this hour-long tour offers not only several nuggets of information on Downtown’s musical past, but a sense of where the Sacramento scene is now, and where it wants to go.
The tours run every Friday afternoon beginning at 4 p.m. The walk begins at Cesar Chavez Plaza at the corner of Ninth and J streets, travels east to 15th and J Street, then back up L Street, ending back at Cesar Chavez Plaza at approximately 5 p.m., right at the beginning of the Friday Night Concerts in the Park, a series that runs through Aug. 13. The cost for the tour is $10. As always, the concerts are free.
“Locally Grown, Internationally Known” is the latest offering in the Downtown Partnership’s stock of themed walking tours, a series that also features tours on early Sacramento history, architecture, public art, kid-friendly spots and more.
According to tour guide Shawn Peter, these specialized tours have been running for about a year and a half, ever since the Partnership decided to break up its large-scale walking tour in favor of shorter, more specifically concentrated jaunts.
“Me being a musician, I pretty much know the history (of the local scene) like the back of my hand,” Peter said. “I’ve been sneaking out and going to shows since about 1990, so that’s 20 years of history.
“Mike has been going to concerts since the late ‘60s. We thought, ‘You know, Mike would be the perfect guy to do the rock and roll tour with me,’” he added, referring to fellow tour guide Mike Becklehimer, who joins Peter in leading this newest tour.
Having been with the organization since 2000, Peter is the Downtown Partnership’s original tour guide and is credited with authoring its Early California History tour, according to the organization’s website.
“There’s so much information between the two of us, so it was like, ‘What are we going to talk about, and what would be the basis of the tour?’” said Peter, who has been game-planning this musical stroll with Becklehimer since January.
The tour embarks on J Street with some snippets about Prohibition-era Sacramento music and a bit of retrospective on topics like the KFBK Radio band, which would back up the likes of Frank Sinatra, Glenn Miller and Duke Ellington when they would roll through town.
Peter and Becklehimer will point out several spots of sonic significance that are now masked by retail facades like FedEx Kinko’s, which was once a booming music store, and McCormick & Schmick’s Restaurant in front of the Elks Lodge, which used to house the “free form rock and roll” of the KZAP 98.5 (now 98 Rock) studios.
The tour provides a heavy dose of history on acts that have come through Memorial Auditorium at 15th and J Streets, where Rolling Stones guitarist Keith Richards once electrocuted himself (it really should be no surprise that he survived it) in 1965 and Ted Nugent made the ceiling rain chips of plaster in 1977 with the teeth-rattling guitar riffs of “Stranglehold.”
There is even some history at St. Paul’s Lutheran Church across the street, where the Grateful Dead once played an impromptu concert in 1968 after a gig at Memorial was cancelled.
If any well-connected tape traders out there have a recording of that show or know where to get one, the folks at DSP want to hear from you.
Peter and Becklehimer also dish up plenty of info on more recent happenings as the tour moves through the corner of 15th and L, the former home of downtown’s most thriving all-age venue, Capitol Garage.
They can tell you where members of the Cramps used to live, direct you to some postage stamp-sized spots where Cake used to play, tell you about the bands that were getting weird with it at Esquire Grill and even show you some footprints made by Kurt Cobain.
It’s a tour that could easily switch gears from a local history lesson to the kind of rock and roll chat session you’d expect to have at a café table or on a barstool with your concert-going buddies. That’s how well Peter and Becklehimer know their stuff.
Using the tour as an interlude to the current happenings in the Sacramento scene, the two guides can also tell you plenty about the bands that will be tuning up their guitars and warming the amps at Cesar Chavez Plaza when the trek wraps up.
“I like to think that people who take this tour will think, ‘Wow, Sac really is a cool place, and it’s not boring,’” Peter said.
“Maybe we can get people not afraid to go to a nightclub that has a live band,” he added. “You may become that band’s next biggest fan. That’s my own personal energy that I’m trying to get across.
“Here’s some bands at Concert in the Park, and they might be playing down the street in a couple weeks - go enjoy yourself.”
For more information on this and other Downtown walking tours, visit the Downtown Partnership’s website at www.downtownsac.org or call (916) 442-8575.
The main problem has been a lack of venues. Jerry Perry and Kevin Seconds fostered the local music scene and brought touring bands despite that fact. That benefited all the bands and eventually, the blossoming of more venues to play in.
If you don't see a connection between a music history walking tour that precedes Concerts In The Park and Jerry Perry, you can't be serious.
The first comment is very simple:
"If not for him (and Kevin Seconds) Sacramento's music scene -- in the face of hostile city policies -- would have died long ago."
The Downtown Partnership has the opportunity to charge $10 for “Locally Grown, Internationally Known: The history of the Sacramento Music Scene” right before the highly successful Concerts In The Park, which Jerry Perry created.
Perhaps the DP already pays him what he's worth and the tour -- although it begins and ends at the site of the Concert -- doesn't cover the dead decades when certain promoter/artists kept the flame alive. Those arriving now that Midtown has been exploded into a party zone, can't imagine how dead the scene became and how different city policies toward music and nightclubs were.
However, the connection b/w this $10/head tour bonus for the DP and Jerry Perry's fostering local music --during decades of Sacramento's musical doldrums -- is undeniable.
The tour guides sound knowledgeable. Perhaps they can answer how and why Sacramento still does not have a mid-sized venue for local and touring acts, like the various clubs and halls in San Francisco.
"All I meant was before you toot horns you should know the score," applies to you, too.
The "doldrums" go back earlier than your involvement. About 20+ years ago is when the resurgence, fostered by Jerry Perry, Kevin Seconds and others, began.
Since you've been playing here (Sacramento or Midtown, yer not saying which) for 20 years, you know the history of the venues that have been available and the lack of midsized clubs of the type mentioned above.
No problem.
Sacramento has a long and vibrant musical history (that this tour is showcasing). And absolutely...no one can dispute that over time, Jerry Perry and a few other key players have been vital to keeping it alive. However, it's not as simple as "the concerts in the park that he started," or just promoting. The DSP has been the driving force for the concerts in the park for years, and the concerts in the park have been the driving force for growing a broader local music interest (not to mention interest in being downtown beyond working hours, which in turn brings dollars and interest in more music venues!). The DSP and Jerry Perry have worked in a true partnership to use this creative "venue" to revive/keep alive/grow the local music scene. So when one of the benefits is to be able to link a historical tour of music to the concert in order to bring more attention to the scene, well....I think it's safe to say everyone is benefiting that's involved. But it's appropriate for the $10 to go to the organization that has financially and administratively been making this growth happen through CIP. And it's not like Jerry doesn't get paid and a million praises for his work!
No one has tried to oversimplify it as you insist. You have proven the point that the broader history is lost to most of those who came after.
Yes, there is.
As has been acknowledged several times here.
If some of those "rubbed the wrong way" had been around central Sacramento before Jerry, Cattle Club and Kevin's rolling Open Mic nights, they might not be so touchy about giving credit where it's due...
Especially when the tours are linked directly to Jerry's tradition -- with the City and later the DP -- of Plaza Park concerts. It's an obvious progression, unless you take it -- and the creator -- for granted.
Promoters couldn't do it without bands and bands couldn't do it without venues. My comments have been about the lack of venues and the city policies that kept a lid on the music scene for a long time; It "died" in fits and starts, with midsized clubs opening and closing, for decades. I will continue to give Jerry and Kevin credit for keeping the flame alive with venues (solid or flexible) featuring local bands and touring bands on their way to the big time.
Others did to. Sacramento has a strong underground music scene because of the lack of venues ... where did CAKE and Deftones start out? Basements and backyards.
It's a reflection of how the music scene, city policies and times have changed. Who knew that crediting two of the early leaders in keeping the local music flame alive -- which now is a profitable inferno -- was a bad thing?
Congratulations mtsacramento, for doing "plenty well without their help" individually. Just consider, you may have benefited from their work and contributions in a community sense, more than you realize.
That's what history tours are for.
Thank you, thankyouverymuch.
I realize very well whose contributions I've benefitted from and Jerry & Kevin are pretty far down that list. And this isn't some sour grapes. I love Jerry Perry & think he's a great guy.
Also, are you calling the current Sacramento music scene a "profitable inferno"?? Is that based on the attendance & success of the Concerts in the Park?? I think it's great that these bands get to play to a lot of people but I've played CIP as have many, many of my friends & trust me, it doesn't really lead to a larger audience. The CIP are a great way to wind down after a Friday at work, people watch, drink some beer & be entertained by bands. But the size of the audience at those events in NO way mirrors the size of a crowd at a typical Sacramento show. Ask any band that's played a CIP & most likely they'll tell you that their next show after the CIP had a somewhat larger audience & then it was back to normal. Why do you think bands like Agent Ribbons, !!!, and Grubdog move elsewhere when they want to try & get to the next level? Because Sacramento is simply not a very big supporter of live music. From the City's policies right on down to the people themselves. Honest question - how many shows do you go to a month? Maybe it's a lot - but I feel like there are a lot pf people here who pay lip service to live music but don't do much to support it.
As far as profitable? I'll assume you're talking about the promoters there. Local bands get paid VERY little almost across the board
The reason, Marion, you've rubbed people the wrong way is because you took a tour that does only something positive for the local music scene - and without knowing much about the relationship between DSP and Jerry Perry - snarled out an unqualified statement about the would-be death of Sacramento's music. And in the end, you didn't really argue much about city politics pushing the music scene underground, as you claim is your point.
Nowhere do I "insist it should focus on a narrow timeframe of Jerry Perry's influence." That's a lie.
Since the tour is tied to, promoted with and anchored at the Concerts In The Park, not including or acknowledging its creator would be dumb. Fixating on the $$ comment and being obstinate about acknowledging him here is dumb. Using the Internet to have arguments over nothing is dumb.
I don't believe any of the people spitting nails over this, remember or were actually around Midtown for the years that I've described. "Whodat," it's your arrogance and hostility that are "unqualified."
And "whodat" you have proven the point that YOU are ignorant of a history of Sacramento music "(that *gasp*, goes outside of your little box of life span and experiences)."
There could be an interesting discussion of how city policies and availability of venues and existence of independent promoters shaped Midtown's music scene. Maybe the tour will help "whodat" and others learn about that.
And finally, since I "may not know the history of the Sacramento scene over the past decades" perhaps you could fill me in because I guess I missed it while I was playing shows etc. do i need to give you a resume since you are obviously the last word on Sacramento music?
Don't you find it odd that more than a few people are upset by your article and could you not at least acknowledge you may have overstated things ( a fundamental of journalism) a bit rather than acting spoiled and defensive.
As for your thinly veiled digs at mine and others false names, do you think Kevin's last name is really Seconds? I guess that doesn't bother you though.
The stupid demarcation of Midtown and Downtown argument has nothing to do with my comments, so own that. I used the term, in case folks from outside the central city (the term I used previously) were not clear on the local history I was talking about.
On top of that, you are reacting to this, so yours is just another irrelevant, false accusation:
"Since you've been playing here (Sacramento or Midtown, yer not saying which) for 20 years, you know the history of the venues that have been available and the lack of midsized clubs of the type mentioned above."
I also gave you a big clue about those "remember or were actually around Midtown for the years that I've described." Two words: Slick Willy's. Two more: China Wagon.
The others here are being paid to badger me. You are still tilting at windmills, looking for a fight and ignoring the comments I've made about the "overstatement" and the overreaction to it.
You are the one here fixated on being "superior," not me. As I said, using the Internet to have arguments over nothing is stupid. Oh that's right, to be nice, I said, "dumb."
"As for your thinly veiled digs at mine and others false names, do you think Kevin's last name is really Seconds? I guess that doesn't bother you though."
LOL. Now THAT's embarrassing. Maybe you are being paid to post. ROFL.
btw "being such a veteran and all" Midtown is not a "fictitious boundary." Been called Midtown for many decades. Locals know that "Downtown" includes Midtown but Midtown is distinct from Downtown, aight? Put that in your guidebook. And nobody ever called it "The Grid."
M.A. Becklehimer
Thank you again.
Mike Becklehimer